Tag Archives: danish

Ordet (Dreyer, 1955)

Such perfect mastery of time and rhythm perhaps unequaled in cinema. A chamber drama with few scenes, each austerely captured by the observing and detached gaze of a languid camera, which carefully tracks the actors deeply nuanced performances in long … Continue reading

Posted in Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment